Haifa Fragments by khulud khamis

haifa

This is a book about an activist, written by an activist, but it doesn’t preach and it doesn’t wag its finger at you. Nor does it shake its head and lower its voice and tell you you are nothing but a privileged white girl, largely ignorant of what the world looks like on the other side of your wall. As well it could. It challenges your preconceptions, but it doesn’t put you in a corner. Instead, it sets you free to roam through the narrative and observe, free to think and decide for yourself what you would like to take away from it, and keep. As all good literature should.

It is framed by history and politics, but without lecturing; it draws you, gently, into the complex, exotic but, at the same time, familiar reality of Maisoon, in a land where the conflict isn’t confined to the conflict zones but takes place, daily, within the people trying to make their lives there, in the best way that they can. Loyalty, the significance of tradition and the need to assert your identity in a place where such a thing is both necessary and dangerous come head to head with the deeply personal but universal quest for the truest version of yourself that you are comfortable with, no matter what form it takes.

This is a book about people, and people should read it. It does exactly what good literature should: it helps you, if you let it, to better understand yourself through the lives of others. No matter which side of the wall they live them in.


Buy it on Amazon US or Amazon UK.

Author interview: John Darryl Winston

There was no question in my mind about who I wanted for my first interview on this blog: John Darryl Winston, parent, educator and independent author of IA:Initiate and IA: B.O.S.S. – and a genuinely lovely man, whom I greatly admire. Despite teaching, fundraising for a literacy program that aims to instil a love of reading and writing in schoolchildren, and working on his next three books, John still found the time to talk to me. This is what we said.

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What drives you to write?

I wish I could say it was just the desire to write, but probably something more superficial, more human: to do something worthwhile that makes a mark and difference somehow in the lives of many people.

 

You have so far published two books, IA: Initiate and IA: B.O.S.S. (read my review), which are part one and two of the IA Series trilogy. What is the series about, and why did you choose to tell this particular story?

At its core, the IA series is about father and son, brother and sister, boy and girl who believe there’s more to life than what can be seen. I wanted to tell a story about family and friends that were touched by success and failure equally, about the struggles of life and death that are rarely told in today’s literature. I chose to write this story because I wanted to combine what I knew about science that I believed to be true with what I believed about the supernatural world to be possible and create a subtle science fiction, a science fiction that one day soon would be considered truth.

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What is it that drew you to YA fiction rather than another genre? Do you see yourself writing in another genre in the future, once the IA Series is completed?

Oh my goodness, Daphne, I have all these ideas and they’re definitely not limited to YA fiction. I was drawn to YA fiction because I happened to be teaching middle school students reading and wanted to write something I thought would spark their imaginations. So it was a natural progression. After the IA series is complete, I imagine staying with this genre for a while longer, throwing a memoir in there and then all bets are off.

 

You recently completed an MFA in Creative Writing, but I’m willing to bet you were a writer long before you started that course. What would you say is the most valuable thing that can be gained from a formal education in Creative Writing? Do you think writing can be taught?

You would be right in saying I was a writer long before the MFA. The most valuable thing I gained from my formal education at Wilkes University in particular would have to be the writing community I’ve become a part of there. My mentor, Jeff Talarigo, author of “The Ginseng Hunter” and “The Pearl Diver” has become a good friend. I’ve become a part of a group of talented published writers for life and that feels good. I’ve also become more technically sound as a writer in the way of craft, and I think that’s important. Everybody wants to write a book, and that’s good. I figured I should be at least skilled at the craft. I’m a firm believer in learning most of the rules before I start breaking them.

I do think writing, like music, in a technical sense can be taught and that anybody that studies hard and reads a lot can learn to become a good writer. But I think the great ones in any field have a gift that can’t be taught. I believe when you put talent with study and hard work, plus a little bit of luck, you get greatness.

 

Identity is becoming increasingly complex these days, and many of us, more than ever before, are juggling several “personas”. You describe yourself as a parent, an educator and an author. Is there one of these “titles” that you identify more strongly with? How do they all feed into one another?

This is an excellent question, Daphne, one I’m wrestling with constantly and at this very moment as my daughter, Marquette, sits 20 feet away from me playing her guitar and asking for help. I definitely identify most with being a parent. It’s easy for me, my default position, and comes natural. I’m more interested in Marquette’s sports activities then watching the Super Bowl (don’t tell anybody that). That being said, the three hats: parent, educator, and author all work well together, because I treat my students like my daughter and my daughter like my students, and I write for them, with all of them in mind, if that makes sense.

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I know for a fact that – like most of us independent authors – you are also acting as your own PR and marketing team. How are you finding that process? Were you prepared for it when you began your journey as an author? What would you tell other independent authors who find this side of things intimidating and/or undignified?

I find the promotion and marketing part of being an independent author a wild, confusing ride, and I’m never quite sure I’m doing the right thing or if what I’m doing is having the desired effect. You picked two perfect words that describe what I feel in a nutshell: intimidating and undignified. It’s intimidating because I’m the poster child for introverts and asking someone to buy my book sits right up there with asking a girl out when I was growing up. It just wasn’t gonna happen. So I hide behind social media and that’s where the undignified part comes in. I feel like when I post an ad about my book, I’m bothering people and when I repeatedly post, the feeling multiplies exponentially.

That being said, I’ve decided to do it anyway. I see more outlandish things on social media including ads about countless products that people may or may not be interested in, and when people see them, like me, they probably just scroll on by. The ones who may get irritated by seeing my book on social media probably know me and are haters, so I don’t care about them. They need to unfriend or unfollow me. I’m confident I’ve put a quality, respectable product out there, and I’m going with that indefinitely. I can’t give up. That’s how much I believe in what I’m doing. Was that a rant?

 

You have quite a strong social media presence. What would you say is the secret to having genuine interactions on what is, by nature, quite a fickle and superficial medium? And do “followers” ever translate into readers?

Thank you, Daphne! I think you hit the nail right on the head when you said “genuine interactions.” I’ve met some the nicest people on social media, most I’ve never met in person or even heard their voices, but I’ve read their books, posts, blogs, and even conversed with some on Skype or some other instant messaging app. I for one don’t believe in automated messaging people and I usually ignore them. A lot of my followers translate into readers. I had a Twitter friend yesterday from nowhere tweet that she had just purchased my book. A few hours later she informed me she was several chapters in and was loving it, which of course made my night, and this is not a rare occurrence. So I try to actually interact with my friends on social media which ain’t easy as there’s only 24 hours in a day.

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You are currently running a crowdfunding campaign on kickstarter in support of your Adopt an Author initiative, which aims to encourage a love of reading and writing in schoolchildren. Can you tell us a bit more about the program and your campaign? Why should people support it?

As I said before, I started writing these stories for my reading students. They loved them. A teacher at another school in Detroit who found out what I was doing and wanted me to come to her school and talk to her students about reading and writing. Four weeks before I came, all of her student read my book, and she put them on a wikispace so they could ask me about the book and anything else while they were reading. The questions and comments I got were amazing, and it was a lot of fun. When I went to the school, I read to the students from my new book and they were enthralled. I gave away prices, signed books, and answered questions. The whole thing was surreal. I thought it was something I could do in every classroom, as many as I could, and recruit other authors to do the same, and the Adopt an Author Program was born.

People should support the program because there are not many skills as important for a child to acquire than literacy, and the program’s goal is not just to teach reading and writing but create an atmosphere where kids learn to love reading and writing. I was once an unmotivated reader and am in a unique position to know the path from indifference to appreciation of the written word.

Education is under attack, not just in my hometown of Detroit but around the world. I’ve dedicated the whole of my adult life to teaching kids how to be not just productive adults but adults that excel. Whether it’s been academics, athletics, or the arts I’ve been there and continue to be on the front line. From coaching multiple sports to teaching vocals and musical instruments, I’ve committed myself in a big way. Now armed with an MA (soon to be MFA) in creative writing, 17 years experience as a public school educator, and the distinction: published author, I stand ready to take that commitment and the kids I teach to the next level.

 

What can we expect from you next?

I’m working on three projects: The first is “IA: Union,” the final book in the IA trilogy which has me frustrated right now. The second is a sci-fi YA called “Ultima Humana,” about the last human a long time from now on a planet not too far away, lol. The third is a sci-fi thriller called “Patriarch” about a scientist who has found a way to endow his son with supernatural powers in a natural way. Sound familiar?

 

As far as “doing something worthwhile” goes, John has already come a long way, and he’s just getting started. Keep an eye on this man: there are many more great things ahead. I am sure of it. 

Connect with John: websitefacebook / twitter / amazon

Support his kickstarter campaign.

 

Turn the pages slowly: some thoughts on IA: B.O.S.S.

IA BOSS

I haven’t read that much YA fantasy, but in my limited experience of it, I have really come to resent the term “dystopia” and the almost complete absence of hope and downright inhuman cruelty that goes with it. I read The Hunger Games, the entire trilogy, with a morbid fascination but not much pleasure at all. I came away feeling slightly dirty, and deeply concerned that this sort of thing is now a recipe for selling millions of copies. Because, what does that say about us?

I am very happy to report that John Darryl Winston’s IA series does not follow that formula. The world it is set in is not dystopia, but a slightly altered alternative reality. It’s not a real place, but it’s still a world you recognise. Winston obviously has an imagination capable of creating new worlds, but he’s not showing off about it; there’s a subtlety in the “fantasy” element of the series that I appreciate. Literature should equally provide a reprieve from everyday life and an opportunity to understand it from a slightly different point of view, and it’s a hard balance to strike. And that, I think, is the greatest challenge of the fantasy genre: to create new worlds and new realities where parallels can still be drawn to the reality the reader can relate to and the issues that concern them. Even more so when it comes to YA fantasy, which has the added responsibility of addressing a very suggestible and potentially vulnerable group of people; people who are still open to learning, and being taught, who still look to adults for answers – even as they pretend to dismiss us. It’s a privilege, I think, that shouldn’t be taken lightly: there is potential here for teaching, for motivating, for empowering. And there is also potential for embittering, for disheartening, for creating a skewed, sinister version of reality and sending young people straight into it, unarmed. Rhetorical question: what exactly do The Hunger Games and their dystopian friends teach us about life?

IA: B.O.S.S. (just like IA: Initiate before it) does have things to teach, good things, and that is perhaps due, in part, to Winston’s background as a teacher to young people himself. To me, the IA series is about personal strength and growth, overcoming obstacles both external and internal and becoming the best version of yourself that you can be. It’s about a boy growing up in an underprivileged neighbourhood, finding his place in the world without losing himself. It’s about peer pressure and bullying and the value of friendship and the unexpected allies you come across, if you open yourself up to them. Naz’s personal strengths may manifest as supernatural powers imbued by his mysterious genius dad, and the opposition may not come in the form of straight-up bullies but the darkly menacing IA gang, but these storytelling elements serve to enhance the real-life parallels and messages rather than distracting from them. And it is all delivered with a sensitivity and intelligence that is sorely absent from much that passes as literature these days.

I wouldn’t describe IA: B.O.S.S. as a page-turner, and that’s a compliment. That’s another concept that I’ve taken against recently: why we think that compulsively reading a book is a good thing. To me, books should be savoured – and yes, there should be enough tension or suspense to make you want to turn the page, but not at the cost of the page you’re actually on. It’s a symptom of the way we live these days, where we’re always skipping ahead, where everything we do is a stepping stone to the next thing, where a moment has no value except for what it might bring. IA: B.O.S.S. doesn’t lack tension or suspense; it raises questions and sends you onwards, looking for answers. But it does so at a comfortable pace that allows you the space and time for reflection and contemplation, for taking in what you’ve read and appreciating it. And it can afford to do that, because it has substance, rather than just plot and fancy dystopian scenery and the debatable value of shock.

The IA series may not sell millions of copies although, if the world made sense, it would – and I really hope it does. But those of us who’ve read it are the lucky ones, the privileged ones; lucky enough to have come across these books, and privileged to see the world through the eyes of an author with a genuine voice, a genuine heart and a genuine message to impart.

So read these books. Turn the pages slowly. Enjoy.

As for me, I may be skipping ahead, but I’m already looking forward to the final part of the series. But patiently.

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Get your copy of IA: B.O.S.S. here.

I am not a rebel.

“Think of the Indie publishing world as a team: we are all working together for the greater good of a collective.” Brenda Perlin, Indie Authors Unite: Instant Karma

I am feeling a bit rebellious right now. I’m feeling all kinds of slogans coming on. One of them is indie books rock! and I’ve turned it into a reciprocal support and promote site for indie authors, where members share their social networks to grow the pool of potential readers for everyone involved.

It’s been coming on for a while. Ever since I self-published my first book, 100 days of solitude, on CompletelyNovel last March, I’ve been involved in a one-woman marketing campaign in the social media. And I’m constantly looking for ways to do it better, while staying genuine and not feeling like I’m selling out in the name of selling my book. Connecting with other indie authors has always made sense: we’re all in this together. And then, last week, I came across an article by Brenda Perlin, entitled Indie Authors Unite: Instant Karma, and it all came together, and indie books rock was born.

The concept is very simple: authors list their independently-published books, and then promote the site to potential readers within their social networks, thus substantially increasing exposure for the work of all members. It’s like a little good karma community for indies, exactly as Brenda suggests. And it’s going well: the site’s been up for less than a week, and we have 17 authors and more than 40 books featured already. We’re not rebels: we’re just writers doing the best we can for our books.

Perhaps, then, the word is not rebellion. My decision to self-publish 100 days of solitude was not a rejection of traditional publishing. I simply wanted it out there, being read, rather than sitting on my hard drive as I searched for representation. It wasn’t an either/or decision, nor was it driven by rebellion at the time. But as time goes by, I am feeling increasingly conflicted about the conventional vs independent publishing debate. I always imagined that I’d eventually get an agent and publish my work through the conventional route, but I’m no longer certain. There are, of course, undeniable benefits to traditional publishing. There’s the validation, to begin with, and it’s a big thing. There’s the fact that you have an editor to work with. There’s distribution, and exposure: publishers have a wider reach. But support? Success? Many traditionally-published authors I’ve spoken to have confirmed my suspicion that the task of promoting their books once they’re published rests mainly on their own shoulders, and they’re out there, on the social media, along with us indies, trying their best to get the word out. And one of the questions that come up is whether chasing the dream of conventional publishing is worth it. Is the time and effort we put into looking for agents and publishers better spent actually writing?

Perhaps it doesn’t have to be either/or. Self-publishing doesn’t exclude the possibility of working with an agent and traditional publisher at a later date. But regardless of what the future brings, the decision to go indie is a choice that we make and I, for one, will stand by it for as long as I’m in it. I might remain conflicted, but for now I’m a proud member of the indie community and the good karma it brings. I’m not a rebel; I’m a writer, out there with the rest of you, indies and non-indies alike, doing the best I can. Chasing the dream.


Visit indie books rock to submit your work and/or discover great books by independent authors.

This article was originally written for and first published on CompletelyNovel.